Category Archives: Assessment

Easy Assessments in the Music Class

For some of our American teachers, you’re already at the end of the school year.  For many Canadian teachers the last day is June 30th.

I hope everyone’s had a great school year.
These are  skills that I hope students will develop during the school year:
Sing, Play, Move, Listen and Analyze, Read/Write, and Create.  So, these are the areas in which I want to assess student growth at the end of the year.  Where possible, I’ve been doing assessments throughout the year so I can now see student growth. Here are some easy ways to assess these skill areas.

Sing in Tune
1.  Hello Attendance:
– sing “Hello” to students, and they sing “Hello” back to you.  (on so-mi)
– use this as your attendance
* . With all of these assessments, it’s easiest to line children up in class-list order!
2. Three Second Listen:
– put on a recording of a song the children have worked on for several listens
– line students up in class list order, and listen to each child for a few seconds
– this is all that’s need to tell if they match the pitch of the recording
3.  Guessing Games
– play one of the Musicplay guessing games, where children sing solos
– assess pitch matching as the children sing the solo
Gr. 1 – Mr. Potato, Gr. 2 – Doggie, Gr. 3 – Closet Key, Number Concentation . Gr. 4 – Jolly Rhythm,  Gr. 5 – Concentration

Play instruments keeping a Steady Beat
1.  Give students unpitched instruments.  Play a piece of recorded music and have them play along.  Observe and assess on your class list.  (Can use #36-37 in listen Kit 1)
Move to Steady Beat
1.  Play a drum or a woodblock, and tell your students to move to the beat.  Observe and assess.
2. Invite students to be leaders in the Copycat game. In the Listening Kit 1 these include:  (All in the listening section at www.musicplayonline.com)
28 “Balletmusik,” Wolfgang Amadeus Mozart
29 “Contradance II,” Wolfgang Amadeus Mozart
30 “Balletmusik IX,” Wolfgang Amadeus Mozart
32 “Galliard Battaglia,” Samuel Scheidt
36 Gigue, Handel
37 Gigue, Handel
38 Minuet from Water Music Suite, Handel
You could also play the Copycat game – 4 students each repetition can be assessed.

Create Movement
1.  Play a drum or a woodblock, and tell your students to move to the beat.  When the beat stops tell them to freeze and make a statue.
2.  Find a short listening example and invite all the students to create movement to the recording.  Use the above examples for creating movement.  In the Mozart Examples listed above, the sections are 32 beats long – invite the children to create movement for 32 beats, and then try the movement with the recording.

Rhythm Reading
1.  put 8-10 pairs of flashcards in the pocket chart.  Have individual students read and assess.
2.  Use the Rhythm Reading Assessments activity in the Rhythm Practice section of www.musicplayonline.com    There are movies with 4 beat and 8 beat assessments.  Each movie is less than 5 minutes long and has enough examples for a class of 25-35 students.

Solfa Melody Reading
1.  put 8-10 solfa flashcards in the pocket chart.  Have individual students read and assess.
2.  Use the Read Notation activity in the Solfa Practice section of www.musicplayonline.com    There are movies 8-10 solfa patterns.  Each movie is less than 2 minutes long. Repeat as needed.

Rhythm Dictation
1.  Give students paper and pencil and have them number the paper from #1-5.  Clap a pattern.  They clap back, then write down what they heard.
2.  Use the Rhythm Dictation Assessments activity in the Rhythm Practice section of www.musicplayonline.com    There are movies with 4 beat  assessments that give both questions and answers.

Melodic Dictation
1.  Give students paper and pencil and have them number the paper from #1-4 or 5.  Sing (to loo) or Play on a keyboard a solfa pattern.  so mi so-so mi  Students write down what they heard:  s m ss m
2.  Use the Melodic Dictation Assessments activity in the Solfa Practice section of www.musicplayonline.com    There are movies with solfa assessments that give both questions and answers.

Improvise Rhythms
1.  Do a question-answer warmup with your students.  Give each student a question using a variety of body percussion, and your students will improvise an answer.
2.  Have your students form a circle in class list order.  Keep a steady beat on a woodblock or cowbell.  Give the students Boomwhackers or other unpitched instrument.  Have each student improvise 4-8 beats (fewer for younger, more for older) and have the class echo the improvisation.  There is an example of this in the Musicplay 6 Digital Resources.

Improvise Melodies
1.  Do a question-answer melody warmup with your students.  Sing each student a question using melodic notes that they are familiar with, and have each student sing (improvise) an answer.  For example:  Sing – What did you eat for breakfast?  Student sings back – I ate a buffalo.
2.  Have the class sing a melodic pattern from a flashcard (or notate on the board), and ask individual students to improvise an additional 4 beats of melody.
For example:  All Sing – s ml ss m .   Child sings:  ss mm dd d
3.  If you have barred instruments, do the same activity on instruments.

Create Rhythm or Melodic Composition
1.  Use the rhythm composition template in Musicplay 3 #11 Shake the Papaya.  Have students write a rhythm composition to use as a B section with the song.

Critically Analyse a Listening Selection
Have students complete a listening log from one of the Listening Resource Kit and use this as an assessment.

Artie and Denise #8 in Las Vegas July 25-26th

Artie Almeida and Denise Gagne have offered workshops for the past 7 years:  #1 – Cruise ship, #2 – Las Vegas, #3 – Nashville, #4 – Orlando, #5 – Branson, #6 – Dallas/Houston, #7 – Chicago and now in 2017 back in Las Vegas.  Meeting rooms on the strip are way too expensive ($10,000/day), so we are meeting at Griffith Elementary. Uber prices out the ride from Treasure Island to the school at $8-11, so if 4 teachers share, as little as $2/person.  We’ll bring in pizza and subs for lunch.  We’ll pick out some shows for evenings, and if you want to join us, we’ll have some great socializing time.
All teachers who attend will get a certificate of completion of 16 hours of professional development.  We videotape the workshop and make the videos available to attendees so you can remember all the fun activities.  All teachers who attend will receive a one year subscription to www.musicplayonline.com!  (Value $150 US / $200 Cdn)
Register now for Artie and Denise #8!
Information –  USA teachers .         Canadian Teachers – Info

Musicplay K-5 Synopsis – What Does Musicplay Teach?

I had an email question from a teacher this week. She needed to give a synopsis of what she teaches in each grade to her principal. She asked if I had a synopsis of what’s taught in Musicplay, and I had never written it in this format. So here’s the synopsis. Of course how much you’re able to teach depends on the time allotted for music, the experiences your students come with, and a myriad of other factors. With Musicplay you treat the teacher’s guide like a menu – choose the song, choose the activities. If you do all the “core” activities, you will complete what’s in the synopsis with your students.

For information on the Musicplay K-5 curriculum: www.musicplay.ca

Musicplay Kindergarten: Sing, Play, Move, Listen, Read/Write, Create

In kindergarten music classes students will learn poems and songs from many different styles and cultures in English, Spanish, French and other languages. They’ll learn seasonal songs, songs to enhance the themes in their classroom, and will learn songs that reinforce basic skills that they learn in kindergarten such as colors, numbers, shapes, and alphabet. They’ll sing and play many action songs and singing games. They’ll practice keeping a steady beat using non-locomotor and locomotor movement with body percussion and with instruments. Students will begin to read rhythms that are one, two or no sounds on a beat. Students will accompany simple songs with borduns on barred instruments, and will use non-pitched rhythm instruments to create accompaniments for poems, songs and stories. Students will create and play new verses, new rhythm compositions and B sections. They will learn about form in music by moving, listening and creating new compositions. Students will listen and move to the beat of the teacher’s drum, and will listen and respond to the music of Bach, Handel and other classical composers. Students will learn to identify high-low, loud-quiet, fast-slow, in sounds around us, through movement and through listening. Students will identify timbre such as speaking voice, singing voice and classroom instruments.

Musicplay 1: Sing, Play, Move, Listen, Read/Write, Create

In Grade 1 music classes students will learn poems and songs from many different styles and cultures in English, Spanish, French and other languages. They’ll learn seasonal songs, songs to enhance the themes in their classroom, and will learn songs that reinforce basic skills that they learn in Grade 1 such as beginning consonents and vowels. They’ll sing and play many action songs and singing games. They will sing simple songs in two parts by adding melodic or rhythmic ostinato. They’ll practice keeping a steady beat using non-locomotor and locomotor movement and using body percussion and instruments. Students will learn to read rhythms that include quarter notes, pairs of eighth notes, quarter rest. They will read simple melodies using the solfa syllables so, mi, la and do. Students will accompany reading songs with simple Orff arrangements, and will use non-pitched rhythm instruments to create accompaniments for poems, songs and stories. Students will create and play new verses, new rhythm compositions and B sections. They will learn about form in music by moving, listening and creating new compositions. Students will listen, move, respond and begin to use critical analysis when listening to the music of Bach, Handel and other classical composers. Students will identify loud-quiet as forte and piano, fast-slow as allegro and largo. Students will identify music that is smooth sounding and music that sounds separated. Students will identify timbres such as speaking voice, singing voice and classroom instruments. Students will use a variety of expression when they sing and speak to show that they understand the meaning of the text.

Musicplay 2: Sing, Play, Move, Listen, Read/Write, Create

In Grade 2 music classes students will learn poems and songs from many different styles and cultures in English, Spanish, French and other languages. They’ll learn seasonal songs and songs to enhance the themes in their classroom. They’ll sing and play many action songs and singing games. Students will learn a few simple rounds. They will sing simple songs in two parts by adding melodic or rhythmic ostinato. They’ll practice keeping a steady beat using non-locomotor and locomotor movement and using body percussion and with instruments. Students will read rhythms that include quarter notes, pairs of eighth notes, quarter rest, half and whole notes and rests. They will learn to read tied quarter notes. They will identify accented beats, and tell how many beats are in each group. (time signature) They will read simple melodies using the solfa syllables do, re, mi, so and la. Students will accompany songs with Orff arrangements, and will use non-pitched rhythm instruments to create accompaniments for poems, songs and stories. Students will create and play new verses, new rhythm compositions and B sections. They will learn about form in music by moving, listening and creating new compositions. They will define rondo form and AB form. Students will listen, move, respond and begin to use critical analysis skills when listening to the music of Bach, Handel and other classical composers. Students will identify a variety of dynamics and tempos using musical terminology. Students will identify articulation in music. Students will identify timbres such as speaking voice, singing voice, families of classroom instruments and families of orchestral instruments. Students will use a variety of expression when they sing and speak to show that they understand the meaning of the text.

Musicplay 3: Sing, Play, Move, Listen, Read/Write, Create

In Grade 3 music classes students will learn poems and songs from many different styles and cultures in English, Spanish, French and other languages. They’ll learn seasonal songs from many cultures. They’ll sing and play many action songs and singing games. Students will sing songs with ostinato, many rounds and begin singing partner songs. They’ll practice keeping a steady beat using non-locomotor and locomotor movement and keeping a beat with body percussion and instruments. Students will read rhythms that include quarter notes, pairs of eighth notes, quarter rest, half, whole notes, groups of four sixteenth and the corresponding rests. They will identify accented beats, and will read music in 2/4, 4/4 and 3/4 time signatures, explaining that the music is in groups of 2, 3, or 4. They will read simple melodies using the solfa syllables do, re, mi, so, la, high do, low la and low so. Students will accompany many songs with Orff arrangements, and will use non-pitched rhythm instruments to create accompaniments for poems, songs and stories. Students will create and play new verses, new rhythm compositions and B sections. They will learn about form in music by moving, listening and creating new compositions. They will identify and define rondo form, ABA form and theme and variations. Students will listen, move, respond to and use critical analysis skills when listening to the music of classical composers from the Baroque, Classical, Romantic and Modern eras. Students will identify dynamics, tempo and articulation (stacatto, legato) using musical terminology. Students will identify the timbres of classroom instruments and orchestral instruments and be able to classify/sort them into families. Students will use a variety of expression when they sing and speak to show that they understand the meaning of the text.

In grade 3 students may learn to read absolute note names (ABCDEFG) and play songs using BAG E on the recorder.

Musicplay 4: Sing, Play, Move, Listen, Read/Write, Create

In Grade 4 music classes students will learn poems and songs from many different styles and cultures in English, Spanish, French and other languages. They’ll learn seasonal songs from many cultures. They’ll sing and play many action songs and singing games. Students will sing songs with ostinato, many rounds, partner songs and two-part songs. They’ll practice keeping a steady beat using non-locomotor and locomotor movement and keeping a beat with body percussion, instruments and cups. Students will read rhythms that include quarter notes, pairs of eighth notes, quarter rest, half, dotted half, whole notes, groups of four sixteenth, eighth-sixteenth note combinations, syncopated notes and the corresponding rests. They will identify accented beats, and will read music in 2/4, 4/4 and 3/4 time signatures, explaining that the music is in groups of 2, 3, or 4. They will read simple melodies using the solfa syllables do, re, mi, fa, so, la, ti, high do, low la and low so. Students will learn to read absolute letter names – ABCDEFG. Students will accompany many songs with Orff arrangements, and will use non-pitched rhythm instruments to create accompaniments for poems, songs and stories. Students will create and play new verses, new rhythm compositions and B sections. They will learn about form in music by moving, listening and creating new compositions. They will identify and define rondo form, AB, ABA form and theme and variations. Students will listen, move, respond to and use critical analysis skills when listening to the music of classical composers from the Baroque, Classical, Romantic and Modern eras. Students will identify dynamics, tempo and articulation (stacatto, legato) using musical terminology. Students will identify the timbres of classroom instruments and orchestral instruments and be able to classify/sort them into families. Students will use a variety of expression when they sing and speak to show that they understand the meaning of the text.

In Grade 4 students will learn to play songs that may use BAG ED C’D’ F on the recorder. They will create their own recorder compositions using BAG E (D). Students may learn to accompany one and two chord songs with the ukulele.

Musicplay 5: Sing, Play, Move, Listen, Read/Write, Create

In Grade 5 music classes students will learn poems and songs from many different styles and cultures in English, Spanish, French and other languages. They’ll learn seasonal songs from many cultures. They’ll sing and play many action songs and singing games. They’ll practice keeping a steady beat using non-locomotor and locomotor movement and keeping a beat with body percussion, instruments and cup games. Students will read rhythms that include quarter notes, pairs of eighth notes, quarter rest, half, dotted half, whole notes, groups of four sixteenth, eighth-sixteenth note combinations, syncopated notes and the corresponding rests. They will identify accented beats, and will read music in 2/4, 3/4, 4/4 and 5/4 time signatures, explaining that the music is in groups of 2, 3, 4 or 5. They will read simple melodies using the solfa syllables do, re, mi, fa, so, la, ti, high do, low so, la, and ti. Students will learn to read absolute letter names – ABCDEFG. Students will accompany many songs with more complex Orff arrangements, and will use non-pitched rhythm instruments to create accompaniments for poems, songs and stories. Students will create and play new verses, new rhythm compositions and B sections. They will learn about form in music by moving, listening and creating new compositions. They will identify and define rondo form, ABA form and theme and variations. Students will listen, move, respond to and use critical analysis skills when listening to the music of classical composers from the Baroque, Classical, Romantic and Modern eras. Students will identify dynamics, tempo and articulation (stacatto, legato) using musical terminology. Students will identify the timbres of classroom instruments and orchestral instruments and be able to classify/sort them into families. Students will use a variety of expression when they sing and speak to show that they understand the meaning of the text.

In Grade 5 students will learn to play songs that may use BAG ED C’D’ F on the recorder. They will create their own recorder compositions using BAG E (D). Students may learn to accompany one, two and three chord songs with the ukulele or the guitar.

For information on the Musicplay K-5 curriculum: www.musicplay.ca

Try www.musicplayonline.com for free for a month!  This is an amazing online resource!  Just $149.95/year USD!

Rhythm Assessment

Quick and Easy Ideas for assessing Rhythm Reading and Notation
June 12, 2016

 Many of our American teachers are already on summer break, but the Canadian teachers have 3 weeks of teaching.  With your final report cards due soon, here are a few very easy assessment ideas for you to use this week.

  1. Flashcard Attendance ~ Rhythm Reading Assessment

In the Musicplay teacher’s guides I sometimes suggest starting your class with flashcard attendance.  We don’t always have to take attendance, but in schools where you do, make taking the attendance into an opportunity for a quick evaluation.

In flashcard attendance, I would take the pile of cardstock flashcards that the students were working on.  I’d call a child’s name, hold up the flashcard and the child would read it.

4 – student accurately and fluently claps and says the pattern
3 – student is mostly accurate and mostly fluent in clapping and saying the pattern
2 – student is somewhat accurate and somewhat fluent in clapping and saying the pattern
1 – student has many inaccuracies clapping and saying the pattern and is not able to keep a steady beat

Themes & Variations publishes a set of 100 rhythm flashcards that are printed on colored cardstock.  The color coding indicates the patterns included in the set and helps you to quickly find the set that each class is working on.

Link to Flashcards – Canada   http://shop.musicplaytext.ihoststores.com/category.aspx?categoryID=26

Link to Flashcards – USA   http://shop.musicplaytext1.ihoststores.com/category.aspx?categoryID=62

In www.musicplayonline.com, we’ve taken the flashcards and made this into a very quick and easy to use movie – just press play.  There are 25-35 patterns in each set.   There are fewer patterns for very easy sets as younger classes are usually smaller (we hope!) and more patterns in the harder or longer sets for your older students.  In the easier sets, we’ve given you both 4 beat assessments and 8 beat assessments. You can choose the set that you want to assess.

Rhythm Read 4 beats coverRhythm Read 4 beats pattern

Rhythm Read 8 beats cover

Rhythm Read 8 beats pattern

If you have already assessed rhythm reading, and want to take your students to higher level thinking skills, do a dictation assessment with them.

Reading the pattern is easy for most of your students.

Hearing a pattern and notating it, is more challenging.

Prepare the students by having them Listen, Clap and Say

With the cardstock flashcards, you clap a pattern and have the students clap it back and say the rhythm names while they clap.  You can use whatever system of rhythm names you prefer – Ta, Ti-ti, Takadimi, or Edwin Gordon.  I make this into a game by dividing the class into two groups:  the Allegros and the Vivaces.  I show the Allegros a flashcard and they clap it.  If they clap it correctly, they get a point.  The Vivaces have to correctly SAY the rhythm the other team clapped.  If they say it correctly, they get a point.  I can usually rig it so it’s a tie by the end of the class!

At www.musicplayonline.com this is given as a movie.

Students hear the rhythm played, then have to say what they heard.  The answer follows.  This is the preparation the students need to be successful at music dictation.

Listen Clap Say pattern

Listen Clap Say question blank

Listen Clap Say - answer

To do music Dictation using cardstock flashcards, I choose five cards at the level I want to assess.  I give the students a piece of paper (I use paper from the recyling in the school) and a pencil (I keep a class set in a container by the door)  and an old hard cover text to write on.  They write their name at the top and number 1-5.  I clap a pattern – they clap it back, then write it down.  I’ll give it a second time if they need it.   I write down my patterns as I go or keep my flashcards in order. Students exchange papers and correct them in class, so I don’t have to take home bags full of marking.  Yay!

Music Dictation at www.musicplayonline.com is done the same way.

Five questions are given.  Pause the movie between questions.  Immediately following the five questions are the answers.  Exchange papers and mark.

Rhythm Dictation cover

Rhythm Dictation how to use

Rhythm Dictation - question

Rhythm dictation - answers

Similar assessments can be done for melody reading, and similar movies are found in the solfa practice section.

I hope this makes getting those marks onto your report cards a little easier!

Visit www.musicplayonline.com to use the assessment tools in this post.

Visit www.musicplay.ca to find workshop opportunities with Denise Gagne.

 

Elementary Music Report Card Comments

Some of my American teacher friends are already finished school, but for many teachers you are into the home stretch and looking forward to the end of the school year.

Report cards are not anyone’s favorite job, but it’s important to communicate how the students have progressed in music.  If we don’t assess, evaluate and report on what we’ve taught, it’s possible that parents will look at music as a “frill” or “something extra” that we do if we have time, and not as a subject area that’s really valuable to our students.

 A teacher in the Musicplay Teacher’s Group on Facebook asked for samples of report card comments, so I’ve gathered some samples for you to peruse.  Every district (and sometimes every school) has a different reporting policy.  Some allow and encourage lengthy comments, and some limit you to just 1-2 sentences.  Here are some categorized comments:

 Attitude

The student:

  • is an enthusiastic learner who seems to enjoy music class.
  • exhibits a positive outlook and attitude in the music classroom.
  • is a positive influence on other students in music class.
  • participates with enthusiasm when singing
  • participates with enthusiasm when playing instruments
  • shows enthusiasm for music classroom activities.
  • volunteers ideas and suggestions in musical activities
  • strives to always do their best in music class.
  • is committed to doing their best in music class
  • enjoys problem solving and challenges in music class.
  • takes responsibility for their learning in music class.

Behavior

The student:

  • cooperates with the teacher and other students.
  • participates appropriately when playing musical games
  • transitions easily between musical activities without distraction.
  • is courteous and shows good manners in the classroom.
  • follows music classroom rules.
  • conducts themselves with maturity.
  • responds appropriately when corrected.
  • remains focused on the activity.
  • resists the urge to be distracted by other students.
  • is kind and helpful to everyone in the classroom.
  • sets an example of excellence in behavior and cooperation.
  • shows respect for teachers and peers.
  • treats the instruments with care and respect.

Participation

The following comments are leveled.

1 – Developing

  • Beginning to participate appropriately and actively in music class.  Requires frequent teacher reminders.

2 – Satisfactory

  • Sometimes participates appropriately and actively in music class.  Requires teacher reminders.

3 – Proficient

  • – Participates appropriately and actively in music class.  Occasionally requires teacher prompts.

4 – Excellent

  • Participates appropriately and actively in all music classes.

Skills

The following comments are leveled.

1 – Developing

  • Beginning to perform some instrument and singing parts with teacher support

2 – Satisfactory

  • Can perform some instrument and singing parts with teacher support. 

3 – Proficient

  • Can perform instrument and singing parts.  Requires prompts from the teacher.

4 – Excellent

  • Can perform all instrument and singing parts independently.

 Concepts

The following comments are leveled.

1 – Developing

  • With teacher support, beginning to read, write, and identify some grade level beat and rhythm concepts.

2 – Satisfactory

  • With teacher support, reads, writes, and identifies some grade level beat and rhythm concepts. 

3 – Proficient

  • With teacher prompts, reads, writes, and identifies all grade level beat and rhythm concepts. 

4 – Excellent

  • Independently reads, writes, and identifies all grade level beat and rhythm concepts.

 

Assessment of Performances

Assessment of Performances

If students have performed in a holiday concert, give them the opportunity to identify and give examples of their strengths and areas for growth as musical performers and as audience members.  There are different ways that they can evaluate their performance.

  1. Discussion

The teacher could ask the class questions. For example:
– If you were to perform this song again, what would you change and why?

– What parts of the song did you find challenging?
– What parts of the song did you find most interesting to sing? Why?

  1. Quick Self-Assessment

Show me 1 finger if you didn’t sing.
Show me 2 fingers if you sang, but you didn’t try your best.
Show me 3 fingers if you tried your very best, and sang with your best singing voice.

Use 1 finger, 2 fingers, 3 fingers as a reflective response for many other areas:

  • Were you a good listener in the concert?
    – Did you like the way you performed in the Christmas concert?
    – Did you behave well for the substitute teacher yesterday?
  • – When you were moving, did you try your best?
  1. Written Self-evaluation  (This is from Dec. Musicplay 6)
  2. I sang with my very best singing voice.

Always ___ Almost always ___ Sometimes ___ Seldom ___

I used my eyes and face to express the words of the song.
Always ___ Almost always ___ Sometimes ___ Seldom ___

I used good posture while singing.
Always ___ Almost always ___ Sometimes ___ Seldom ___

My eyes were focused on the conductor during the performance. Always ___ Usually ___ Sometimes ___ Seldom ___

I remember all (or most) of the words to the songs.
Always ___ Usually ___ Sometimes ___ Seldom ___

I was a good audience member for the other performers. Always ___ Usually ___ Sometimes ___ Seldom ___

 

Share what assessment tools you use!

Join the Musicplay Curriculum Facebook Page, and/or the Musicplay Teachers group and share your assessment tools.

Or – email denise at denisegagne1@gmail.com and I’ll post your ideas.

These materials come from the Musicplay curriculum.

For information on Musicplay visit www.musicpay.ca

Holiday Concert Scripts:  Last December I invited teachers to send in the scripts that they’ve written for their holiday concerts.  I’d love to get enough to put together a collection of scripts that teachers have used.  I have a few, but would very much like more!  If you’ve written a script, submit it for review.  If accepted, your script will be published and you’ll be paid a 10% pro-rated royalty.    Along with the script, we’ll need the list of songs you used and sources where other teachers can find them.

 

Videos of Themes & Variations songs:  We LOVE to see videos of your students performing music from one of our publications.  No special permissions are needed to take video of children in public performances, so the usual foip rules don’t apply.  Post the video on YouTube and send me the links.  We’ll share your performances with others.